Triple threat

I love when my clients and/or residents surprise me.

At the care center where I work, another music therapist/unit coordinator and myself have been facilitating some choir rehearsals. I have yet another colleague who is active in theatre, and has wanted to introduce acting in skits to our residents. I also lead a tone chimes ensemble, which has performed once since I’ve taken over the position, and plans to perform again in early December.

If only we also had a dance or movement therapist…

The past few instances where the choir has rehearsed, the theatrical colleague, my co-facilitator, and I have arranged to transition from choir to skit reading. This has worked really well. So well, in fact, that our group has been growing steadily, and I am hoping to combine the choir, the theatre, and the tone chimes into one bigger performance in December.

The reason I said that my residents surprise me is because they, all of them, have been singing all of the songs (save a Beatles song — I know, I know) they are given, and they volunteer to read the skits. And most of them read really well. I absolutely love introducing people to one another, and to see them pay each other compliments at the end of our being together.

I love what I get to do.

My work in the care center

I work with two populations: People in assisted living, care center, and transitional care units; and people with developmental disabilities. I suppose I could break down the populations even further by considering age groups. Certainly, I work with the elderly — that is pretty clear — and I work with young children with developmental disabilities as well as young adults with such delays.

I imagine there is a reader or two who does not know much about music therapy, or perhaps how music therapy applies to those residents and clients I see.

So, how do I provide music therapy in my work in the care center?

I’ll try to tell you, in broad terms.

I see approximately 250 residents in the care center where I work. (I am separating the TCU from this group.) These residents are spread throughout the building, and include people who live in a memory care unit, a palliative care unit, and some residents who are functioning with much more independence. I see residents who live in each unit at least once a week, and usually they are in large (sometimes very large) groups. There are so many considerations that are involved in fashioning these groups. For instance, in the palliative care unit, I gather my residents in a group, but essentially I see them 1:1. However, in another group, I try to bring out people who are known for being social and conversational and combine them with people who are known for being reclusive (who also seem to enjoy or benefit from music). So, this being said, one of my major considerations is how big my groups should be.

Sometimes I don’t have a choice. Sometimes, like today, I have a great group together, and a nurse’s aid takes two of my residents from the group. And then the group dynamic falls apart. Or, they just drop residents off in the room where I’m facilitating, and leave them way off in the periphery of the room.

But, that’s for another post (maybe).

Once I have a group assembled, I begin the session with a unifying, familiar “hello song.” I follow this with another group experience. Then, if I’ve determined I have at least 80% active participation from the group as a whole, I move to 1:1 interactions that I use to tie one part of the circle/group to another portion of it. I try to bring the session to a close with another group experience or song, and then I close with a known “good-bye song.”

Each week, I target one domain (cognitive, physical, social, emotional, etc.) for the whole care center. I’d love to have more time to plan, though at this point, I don’t. But, each day I write up goals for each group that I see that day, using a planing template I created for my care center work.

I may elaborate on certain factions of my day, should anyone be curious. I just happen to know that some people might not know what goals I have for my work in the care center.

 

Vocal care

My primary instrument is voice, followed closely by violin. Being a vocalist, I both think of my voice quite often, and yet take it for granted. I don’t warm it up in the mornings before work, unless you count talking to my mom on the phone during the drive. I don’t particularly rest it between sessions. This is mostly because I don’t have any time between sessions. Even during my lunch hour, I spend about half an hour talking with co-workers. I actually like being alone and quiet, and I take the rest of my lunch break to be just that. Doing so likely saves me my voice for the rest of the day.

When I say I think of my voice often, I mean that I am very thankful for it and my abilities to use it. I consider how I’m using it in session, and how it’s feeling. But, in its time off work, I don’t preserve it enough.

I bring this up because my voice was pretty off today. I notice I have a sore throat tonight, and hope to the good lord that I don’t lose my voice. I love it, need it, and feel really terrible without it.

So, to you vocalists out there, do you do anything particularly special for your primary instrument? I should be giving it more consideration.

Thursday’s appreciation

 

The first blog I ever read was “The Happiness Project,” by Gretchen Rubin. She has a book out by the same title, in which she explores different tactics to find more happiness in every day life. She has written before that music doesn’t do much for her, and for that reason, I appreciate this post even more:

Listen To Your Favorite Song

 

 

 

Documentation

I am currently designing exactly how I’d like my documentation to be, in terms of assessment forms, treatment plans, progress notes, and contact information. The studio through which I provide music therapy services does not require any of my paperwork, but I need to know that my treatment plans are current and that a certain experience works well to target goals I have for my clients.

I’ve seen on the AMTA listserv that there is a conversation about such documentation. I have been using my own combination of forms that I saw in coursework and that I’ve used in internship, and have fitted them to be appropriate for my clients at this time. However, I wonder, where do you, who are contracting like I am, find your sources for paperwork templates?

Noodles with violin

I have been using my violin in my care center work more and more often. I am thankful for that; I do not use or play it outside of work, and if I didn’t find a purpose for it in my workday, I would feel so wasteful.

Not these noodles, though dang, they look good

A few weeks ago, I started using the violin to musically support movement facilitated by a therapeutic recreation coordinator on our memory care unit. The coordinator uses noodles to demonstrate certain movements, and I play music akin to what the music would be in PSE. However, I know my technique is not PSE, and that, clearly, the tool utilized is not a piano or autoharp. Regardless, I notice differences in residents’ participation and affect (before, there was random recorded music).

These noodles

Now, I’m beginning to use the violin on the palliative care unit, where many more of the residents are not alert. As with any new experience, there will be evolutions, but I am already having trouble wrapping my head around how to adequately address each individual when there are as many as 20 in the group at any given time.

Is there anyone out there who has tips on working with large groups? I am in need.

Support group

When I was in coursework, I had such a neat opportunity to be a part of a music therapy support group, aimed at students. We met monthly, discussed questions and issues that came up for us in our reading and practicums, and also shared music therapy experiences. Our groups were facilitated by an MT-BC who shared with us how she created a support group for her fellow professionals.

I am trying to develop one for my fellow newly-credentialed music therapists. When I was an intern, I organized a few get-togethers of the like, but even though I made all these promises to my colleagues and myself, I just didn’t have the mental energy this summer to go forward. I have found a community space that could be perfect for us– I think they may even encourage our music-making. I just have to get all the logistics down.

Is there anyone out there who is a member of a professional support group? My goal is to share resources, experiences, and to build a much bigger network. If you are a member of a professional support group, please share with me your experience in it.

Developing a pattern

As I’ve mentioned in another post, A plan to plan, I have to design my experiences to have a good deal of reuse power (thanks to JoAnn Jordan of Music Sparks for that term). I try to focus on a single domain throughout the week, but now I’m thinking of designating certain days of the week for certain domains. For instance, Tuesdays I might hone in on the social domain, Wednesdays, gross motor, etc.

Does anyone else, who works in care centers as I do, develop your goals in this way? Or do you decide on a day-to-day basis?

Renaissance Festival drumming

We went to the Minnesota Renaissance Festival yesterday, and saw a few songs performed by this group at one of the pubs. They were fun and rowdy, as was the rest of the crowd there. I noticed the way one of the drummers on the frame drum at the right of the ensemble was using her mallet, and am now interested in taking more drumming instruction.

From metal to melody

I have a client who is very interested in anything heavy metal — the clothes he wears, the guitar he has, and, of course, the music he wants to hear and learn. I have had a lot of difficulty finding ways to engage him musically, though he speaks of little else. Last week, I asked him to bring in CDs that he likes, and thankfully, he did. So my night began with some Rammstein — yes, we listened to “Du Hast,” among other tracks. He was immediately attentive, and his affect changed immensely. (I was not surprised in the least, but there are many other factors that are attached to this client’s sessions.)

My very next client is much more enraptured by live music (not to say that my first client wouldn’t be, were I to have the ability to pull off live music that had a metal sound), but we did use some recorded music tonight, too. However, this client’s recorded music was written and performed by a good friend of mine, who also happens to be an MT-BC. Lynn O’Brien writes outstanding music. Not only does she work as a music therapist, but she also is an actively gigging musician. Many of her songs would likely work well with adolescents and young adults. You can find two of her CDs out there in the world — iTunes, for instance. Find more information on Lynn here.

Oh, how different music can be for you and for me.