Inaccessible music

I keep a limited amount of music on my iPhone, because it doesn’t have enough capacity to hold my whole library (and frankly some of my music is embarrassing). My husband has thousands and thousands of tracks on Google Music, and though I know the password and where to log in, I am not able to do so when suddenly, for instance, a client says, “I like [this artist].” I know we have that music available on Google Music, but it’s obscure enough that I don’t keep it handy in my iTunes.

This happened three times tonight alone.

Dang. It. 

“Special Ed”

I do have a fantastic love for podcasts. One that has always been playing through my speakers is “This American Life.” I imagine you’ve heard it. A few weeks ago, the podcast rebroadcast the below episode called “Special Ed.” Take a listen.

On environmental music

I love when I find other musicians who feel similarly about listening to music as I do. I went to a Labor Day Eve party (there is no reason Christmas can have an Eve and other holidays cannot; why not get even more excited about a day when not laboring is celebrated?) of a really good friend of mine who happens to also be a music therapist, and though I knew that she prefers not to listen to music during her “down time,” I didn’t realize that she gets as distracted by environmental music as I do! We all were seated around the table and my friend’s fiancé controlled the music. Several times my friend asked him to either turn it off or turn it down. I can hardly handle environmental music because as soon as it begins, my attention snaps to it and evaporates from any conversation that is happening around me. Sometimes I find myself analyzing the music, but most of the time I am pulled very strongly to a memory that is attached to the music. Or, if the music is new to me, I’ll listen for its rhythm– essentially, I am too absorbed by the music to function in other ways.

My friend and I have had a couple of short discussions about why we love but also need our space from music, but I’m not sure if she feels exactly the same way I do. One of my favorite parts of the night, though, was when we all convened in the living room, and as soon as there was a mention of turning on music, the two of us snapped, “No music.”

I do like music, though. I promise.

Respite

There are only a few times thus far in my music therapy career when I’ve felt that I provided a truly successful session. One time was just yesterday. I have a client who has some tendencies toward explosive behaviors and language. Using some improvisatory keyboard skills that I am always surprised to find that I have, I was able to help him relax to a state in which he was nearly sleeping. This is not always my goal, but yesterday it seemed to be necessary. What is more is that his mother has been sitting in on some of our sessions together, and she even seemed to have fallen asleep! I was happy to help provide an environment in which both my client and his mother had some respite.

“Boléro” in the morning

I have always had trouble listening to music unless it is for a specific reason. Sometimes that reason is for research, sometimes it’s to keep me at a certain pace while exercising, and of course sometimes it’s to change or augment my mood.

I came across the idea of creating a “waking playlist” (as I like to call it) or a playlist to hear in the morning which has the function of staging the coming day. I read about this in a couple of different music therapists’ blogs, and I really like the idea. The first piece that I choose for mine is “Boléro” by Ravel. I discovered this piece when I was in fifth grade, and have adored it since.

Recently I heard a Radiolab podcast called, “Unraveling Bolero,” in which the hosts reported on a very unusual story involving one Anne Adams, a biologist whose path resembled Ravel’s in a peculiar way. Here is a synopsis of the episode:

At some point, Anne became obsessed with Maurice Ravel’s famous composition and decided to put an elaborate visual rendition of the song to canvas. She called it “Unraveling Bolero.” But at the time, she had no idea that both she and Ravel would themselves unravel shortly after their experiences with this odd piece of music. Arbie Orenstein tells Jad what happened to Ravel after he wrote “Bolero,” and neurologist Bruce Miller and Jonah Lehrer helps us understand how, for both Anne and Ravel, “Bolero” might have been the first symptom of a deadly disease.

Find “Unraveling Bolero” here:

Reporting to caregivers

There are a few things about working in private practice that I’m “testing.” One is to report to the parents or caregivers of my clients and students directly (meaning within the same day if they’re clients or students I see weekly, or within the same week if they’re clients I see monthly) following each session or lesson I provide. I’ve been doing this for each of my clients and students for the past three weeks, and am already finding this to be a productive practice in that the parents or caregivers respond to me quickly with questions and ideas.

The reason I do this is because, though I’d like to, I don’t have the ability to meet with the parents and caregivers in person on a weekly basis. Most of the time, my time slots are filled back-to-back. (I may revise this in the future, but for now, this is how I’m operating.) I’m finding that regular and timely reporting via e-mail is the most effective way to include family members.

I try to cover three topics:

  1. Strengths in the session or lesson, and progress being made toward goals.
  2. Progress I see that can be made in future sessions or lessons.
  3. Plans I have for future sessions or lessons.

I’m pleased with this method, but I’ll keep looking for a more streamlined approach.

Upcoming music therapy events in Twin Cities

I have been wanting to attend these bi-monthly ukelele group workshops, but since I got sick, adding things to the list wasn’t something I did.

But, coming up on January 28, I am definitely going to “Latin Guitar Styles Master Class,” held at the Schmitt Music Minnetonka. Following this, some of us Minneapolis/St. Paul-area music therapists will get together for our monthly meeting.

Latin Guitar Styles Master Class information here.

Being sick requires work

My sinusitis simply did not let up, all through last week, and then coupled itself with a perky little migraine that took me to urgent care. I am feeling better as the days go by, but truthfully, being sick takes work.

What have I learned in this?

  1. Don’t push it. Go to sleep, if possible, when I feel like it.
  2. Don’t sing if I don’t have to sing. I need that voice.
  3. Drink as much as I can, even when water is boring.
  4. Don’t expect to get done what I’d normally get done.
  5. Don’t make plans that I’ll feel guilty about abandoning.

I’m usually so plan-driven that being sick like this completely bottomed me out and required me to re-evaluate my plans. I don’t like re-creating plans, but I simply had to do it the past few weeks.

Here’s to pain medication. 

Twice-exceptional and the DSM-V

I am so tired of being sick. I am not able to be as present as I’d like to be with my clients and students, nor do I have energy to spare. Man!

In other news: The Diagnostic and Statistical Manual of Mental Disorders (fifth edition) will be published some time in May of 2013 (according to APA DSM-5). I heard a pretty interesting discussion about this next edition of the DSM on the Bright Not Broken radio show. This particular discussion examines those people who are considered “twice-exceptional,” having special gifts as well as special needs.

Feel free to click the link below to listen.

Listen to internet radio with The Coffee Klatch on Blog Talk Radio

Next meeting

Happily, this month there will be a Minneapolis music therapists meeting. We missed last month because, well, I’d just gotten married, and many of us were out of town.

Our next meeting is Sunday, July 29, at 10:00. Pass on to anyone in the Minneapolis/St. Paul area! Thanks, and happy Friday (the 13th).